Xochi
Art Gallery
Francisco Figueiredo Lopes

Francisco Figueiredo Lopes

Portuguese | 1998 | Based in Lisbon, Portugal

Artist Statement

Francisco Figueiredo Lopes (Lisbon, 1998) is a sculptor whose work explores the tension between creation and destruction. Based in Lisbon, he investigates cycles of extraction, transformation, and consumption through sculpture and installation. His practice merges industrial processes with manual interventions, producing works that oscillate between control and collapse, structure and spontaneity.

Engaging with materials charged with historical and symbolic weight, Francisco reshapes objects to challenge their intended functions. His Power Tool series critiques the aestheticization of violence and the spectacle of desensitization, while Attached examines the interdependence of extraction and production, exposing the forces that sustain and reinforce each other.

His work has been exhibited in various group shows, using sculpture as both a material and conceptual framework to interrogate contemporary systems of power, violence, and excess. Through his practice, Francisco questions the mechanisms that shape our relationship with objects, history, and industry.

Featured Works

A curated selection by Francisco Figueiredo Lopes

SLAGHEAP

SLAGHEAP

Trashmetal • 2024

SLAGHEAP - detail

SLAGHEAP - detail

Trashmetal • 2024

Packed III

Packed III

Destroyed revolver, tempered glass • 2024

Packed V

Packed V

Destroyed Magnum revolvers, tempered glass • 2025

Chambered IV

Chambered IV

Destroyed hand guns, tempered glass • 2025

KalashniToy

KalashniToy

Destroyed guns assemblage, tempered glass • 2024

Marble Bucket

Marble Bucket

Marble, glass • 2024

Double ripper hook

Double ripper hook

Marble, white sandstone • 2024

RETRO, RETRO, RETRO

RETRO, RETRO, RETRO

Mixed media • 2024

Claw

Claw

Mixed media • -1

Trojan

Trojan

Mixed media • -1

Swipe to explore

Magazine Articles

Features and interviews with Francisco Figueiredo Lopes

The Unyielding Grip: Francisco Figueiredo Lopes' Make it Burn then Hold

Against the backdrop of Lisbon’s brilliant blue skies and the distant shimmer of the Atlantic, Francisco Figueiredo Lopes’ Make it burn then hold seems almost alive—straining, grasping, resisting. It is a sculpture that speaks in extremes: of creation and destruction, of accumulation and exhaustion, of the raw forces—both human and material—that shape our world. Here, steel becomes a language, tension a narrative, and a monumental form transforms into a meditation on existence itself.

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